![]() The model would hold a pose and the same drawing would be worked over and over until it satisfied the instructor. They learned to analyze the effects that the play of joints and muscles has on the surface of the body. Around these virginal surfaces, sinuous lines and blocks of uniform colors shaped a kind of brightly colored setting for stylized or geometric motifs.ĭuring their training at an academy, artists would take drawing classes working from nude models. It was nakedness, of the human body and the façade of buildings stripped of their pompous decorations and brought back to a smooth unadorned whiteness, that initially expressed the common struggle to get back to truth. It placed this creative impetus under the banner of a season, spring, and an age in life, youth. A fresh breeze was indeed blowing through the land, awakening minds. They created a review for debating the art questions of the day called Ver sacrum (literally “sacred spring”). They launched a program of ambitious shows and events that joined the great names of international modernity to the local art scene. ![]() In 1898, the Secessionists built an exhibition hall. The idea was to put an end to the supremacy of academicism and historicism, which were only perpetuating the obsolete values of the aristocracy, and the conservatism of the Society of Austrian Artists. As in other European cities, the time had come for Vienna to forge an independent national modern style. ![]() Printable versionĭer Zeit ihre Kunst – Der Kunst ihre Freiheit, or “To the age its art, to art its freedom.” This motto of the Viennese Secession, an association of dissident artists founded in 1897 and presided over by Gustav Klimt, announced a revolution in the capital of the old Austro-Hungarian Empire. The exhibition continues on the second floor, which is devoted to the living environment and its adaptation to the needs of the new human being. On the first floor you are invited to discover how the Viennese artists made their contribution to modernity by endowing skin with a novel visual expressiveness. By exploring the mysteries of this sensitive surface, the Viennese artists were to redefine modern humans’ connections to the world, everyday objects and their surroundings, buildings and streets. The show traces the emergence of a new sensibility expressed by formal, visual work that focuses on skin. The exhibition offers a new reading of the vast body of work created by these revolutionary artists between 1897 (the founding of the Vienna Secession) and 1918 (the end of the Austro-Hungarian Empire). Rejecting the conventions of academicism in painting and historicism in architecture and the applied arts, these artists were on a mission to lay bare the true identity of human beings in the 20th century and reconcile them with their deep instincts, nature and In the Vienna of 1900, a phalanx of artists was to write one of the most significant episodes in the birth of modern art.
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